Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
That boljande tvatt am creating a stammer of bekymmerslos jolly as konstnaren Ozanne very whale bare fangat

ID: 49731

unknow artist That boljande tvatt am creating a stammer of bekymmerslos jolly as konstnaren Ozanne very whale bare fangat
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unknow artist That boljande tvatt am creating a stammer of bekymmerslos jolly as konstnaren Ozanne very whale bare fangat


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unknow artist

  Related Paintings of unknow artist :. | lnterior fran sibiriskt fangelse | Otoo King of Otaheite Tahiti | Floral, beautiful classical still life of flowers.136 | Classical hunting fox, Equestrian and Beautiful Horses, 164. | Arab or Arabic people and life. Orientalism oil paintings 441 |
Related Artists:
John Skinner Prout
(1805-76), nephew of the famous English watercolourist Samuel Prout (1783-1852)
Carlo Dolci
1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
Giuseppe Passeri
Giuseppe Passeri Giuseppe Passeri (12 March 1654 - 2 November 1714) was an Italian painter of the Baroque period, active in his native city of Rome. Born the nephew of the painter Giovanni Battista Passeri, Giuseppe trained in the studio of Carlo Maratta. Among the paintings by Giuseppe is St. Peter baptizes the Centurion, transferred to mosaic; the original was moved to a church of the Conventuali in Urbino.






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